You're a beautiful woman probably...

Just heard this on the radio. Looks like a great site to visit for anyone interested in both people and music. Maybe this is more of a Twitter-type post - will see if I can squeeze it on there as well...

I was listening to some Villa-Lobos today and it raised my mood so much that I had to post here about how neglected this composer still is. Eccentric, original, clumsy, haphazard, funny, noisy, stunningly beautiful - his music is all of these things at different times. I see him as rather like an eccentric old uncle who, when you first meet him, you dismiss as just weird. Once you get into his music, it's incredibly loveable. He wrote a huge body of work including seventeen string quartets, at least three of which are masterpieces, five piano concertos and nine Bachianas brasileiras (Brazilian Bach-pieces), twelve symphonies and fourteen Chôros , including two sadly lost. Obviously, not everything he wrote is brilliant, but he's a master of musical development. I first heard Villa-Lobos' music more than twenty years ago. This was when recordings of many of his works were only just starting to appear. Thanks to the Marco Polo and Naxos CD labels, people now at least have th...

On New Year's Day (a day I invariably find grim and depressing) one of my brighter interludes was on catching some of Tony Palmer's documentary about Ralph Vaughan Williams - called O thou transcendent - on TV. A bit later I decided I'd like to see the whole thing, so ordered the DVD, which arrived last week. Being a twentieth century classical music lover (rather than any kind of music student) for the past thirty-odd years, I was surprised to hear of so many musicians who dismissed RVW's work as second-rate. I'd heard Constant Lambert's comment about "a cow looking over a gate" but hadn't realised such views were as widespread as the film would have it. Palmer definitely had a biased agenda when making his film. He seemed determined to portray RVW as a tortured man whose anguish was shown in his music. To this end, he chose mainly dark and tempestuous extracts from a repertoire that, to me, hardly ever comes across that way. I was surprised to ...