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New Who

The name at the top of the bookmakers' lists this summer for the next Doctor Who was Peter Capaldi. I was interested to see the list but pooh-poohed this, as it seemed the production team were set on casting only young actors - I think it was even said at one point that only someone in their 20s could keep up with the pace of production. I was delighted to hear back in August that the rumours were, in fact, true. The choice pleased me for two reasons - firstly, as a long-term fan of the programme (except for the awful period in the 1980s when the production went badly astray) I wanted to see a Doctor with the authority that only an older man could have; secondly, I knew Peter back in the 1970s as a fellow fan - we're the same age and I've followed his career since the 1980s. I had met Jon Pertwee a couple of times, during the making of Death to the Daleks and Planet of the spiders , and got to know Peter through the Jon Pertwee fan club (started by an old school friend, ...
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Who can do better...?

With the announcement that the new Doctor Who is definitely to start this Easter, I thought it was time to express my hope that Steven Moffat will give us a better programme than Russell T Davies did. Don't get me wrong - I am grateful to RTD for reviving the programme after a long hiatus, and letting us see brilliant stories like The empty child/The Doctor dances, Human nature/The family of blood, Blink and Silence in the library/Forest of the dead. It's no coincidence that none of these were written by RTD - he just isn't a very good writer and, with his light entertainment propensities threatening to kill the show in the same way as the appalling 80s version, his departure in January was long overdue. The "Christmas Specials" in particular seemed to be pandering shamelessly to the lowest common denominator. Do we really need to have it hammered home that it's Christmas with references to the season or snow every few minutes? In The runaway bride we ha...
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Buckets of blood

Sadly, I think a lack of imagination has meant a serious drop in standards and attitudes in "horror" films. I do love old horror/fantasy films (Terence Fisher's expression was “adult fairy tales”) but want to be uplifted – film should be an emotional experience, but not one that makes you want to slash your wrists. I don't think it's a coincidence that many of the films covered and praised in podcast s and on line ( Night of the Demon, The Devil Rides Out, The Wicker Man etc) are retrospective, and more than thirty years old. Just to establish where I'm coming from, can I say that I really liked Witchfinder General, Hellraiser and Candyman , all of which were gruesome films. One of my favourite horror films is Brian DePalma's Carrie , because it's psychological horror. What distinguishes all of these from lesser films is character and plot. I actually read a review of Carrie on IMDB where the (amateur) reviewer rubbished it because there wasn...
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