Skip to main content

Blast from the past

A great blog that I've been reading recently is A Thriller a day covering not the 1970s UK TV series (which I also enjoyed) but the early 1960s US series hosted by Boris Karloff. There was a vast amount of "word of mouth" about this, including comments by Stephen King in his non-fiction book Danse macabre but, for many years, it wasn't available on legitimate DVD, only bootlegs. As soon as I saw the announcement that the whole series was being released, with extras, I knew I had to have it. In case I give the wrong impression, let's admit that this is an old series with highly variable standards and some boring episodes. However, the good ones make it worthwhile. So far I've probably watched about a fifth of those with good reputations, and have really enjoyed them. While I didn't quite "get" the supposedly classic The cheaters - yes, it's a clever idea, well worked out, but it's neither chilling nor emotionally involving, as it has no sympathetic characters - I've been impressed by others like The hungry glass (featuring the wonderfully histrionic William Shatner) and Pigeons from hell (creepy in a way you just wouldn't see on today's TV). I'm delighted to read that Peter Enfantino and John Scoleri, authors of A Thriller a day, are planning to cover another of my favourites, The outer limits next.
Labels:

Comments

Jackem said…
I should have said that the DVD set is available as a Region 1 (US) version only. However, the price seems to have come down significantly since I bought it, so anyone prepared to fork out for it (and remember, it's not all good) may find a bargain price.
29 December 2010 at 19:07
Post a Comment

Popular posts from this blog

New Who

The name at the top of the bookmakers' lists this summer for the next Doctor Who was Peter Capaldi. I was interested to see the list but pooh-poohed this, as it seemed the production team were set on casting only young actors - I think it was even said at one point that only someone in their 20s could keep up with the pace of production. I was delighted to hear back in August that the rumours were, in fact, true. The choice pleased me for two reasons - firstly, as a long-term fan of the programme (except for the awful period in the 1980s when the production went badly astray) I wanted to see a Doctor with the authority that only an older man could have; secondly, I knew Peter back in the 1970s as a fellow fan - we're the same age and I've followed his career since the 1980s. I had met Jon Pertwee a couple of times, during the making of Death to the Daleks and Planet of the spiders , and got to know Peter through the Jon Pertwee fan club (started by an old school friend, ...
1 comment
Read more

PODcasts

It's amazing how many producers of these seem to forget the name. As podcasts are (by definition) for mobile devices and therefore meant to be listened to on the move, the likelihood is that there will be background noise from traffic, etc. For safety reasons, the volume shouldn't be turned up so loud that this is drowned out. If the listener is on a bus or train, things are often no quieter. For these reasons, it's essential that the volume of a podcast should be "normalised" (i.e. the peaks should be at the maximum allowed undistorted level) and its dynamic range should be severely curtailed - that is, there should be very little difference between the quiet and the loud bits. I probably have hearing that is just below average in efficiency and I've lost count of the number of times the podcast was so quiet that I couldn't hear most of it (even when turned up to full volume on my phone), or had a section with various speakers muttering inaudibly in t...
Post a Comment
Read more

Who can do better (2015)

Not since Tony Blair joined forces with George "Dubya" Bush have I been so disappointed in a person's misguided choices as I have since Steven Moffat took over the reins of Doctor Who. What happened to the genius who gave us the hilarious Coupling, and wrote Who stories like The Empty Child/The Doctor Dances and Silence in the Library/Forest of the Dead ? If you look back through this blog you'll see that I've sung his praises . By writing Who and Sherlock simultaneously, it seems he just bit off more than he could chew. Good storytelling is the bedrock of a programme like this and, for me, that has just not been there. This season (and, sadly, most stories since Mr Moffat took over) have fallen into two types: "edited highlights" (the plot escaped the writers, and the episode came over as a series of extracts - more like a trailer than a coherent story. Examples: Before the Flood, The Woman Who Lived ) and Laboured centre pieces (instead of a plo...
Post a Comment
Read more