A great blog that I've been reading recently is A Thriller a day covering not the 1970s UK TV series (which I also enjoyed) but the early 1960s US series hosted by Boris Karloff. There was a vast amount of "word of mouth" about this, including comments by Stephen King in his non-fiction book Danse macabre but, for many years, it wasn't available on legitimate DVD, only bootlegs. As soon as I saw the announcement that the whole series was being released, with extras, I knew I had to have it. In case I give the wrong impression, let's admit that this is an old series with highly variable standards and some boring episodes. However, the good ones make it worthwhile. So far I've probably watched about a fifth of those with good reputations, and have really enjoyed them. While I didn't quite "get" the supposedly classic The cheaters - yes, it's a clever idea, well worked out, but it's neither chilling nor emotionally involving, as it has no sympathetic characters - I've been impressed by others like The hungry glass (featuring the wonderfully histrionic William Shatner) and Pigeons from hell (creepy in a way you just wouldn't see on today's TV). I'm delighted to read that Peter Enfantino and John Scoleri, authors of A Thriller a day, are planning to cover another of my favourites, The outer limits next.
Sadly, I think a lack of imagination has meant a serious drop in standards and attitudes in "horror" films. I do love old horror/fantasy films (Terence Fisher's expression was “adult fairy tales”) but want to be uplifted – film should be an emotional experience, but not one that makes you want to slash your wrists. I don't think it's a coincidence that many of the films covered and praised in podcast s and on line ( Night of the Demon, The Devil Rides Out, The Wicker Man etc) are retrospective, and more than thirty years old. Just to establish where I'm coming from, can I say that I really liked Witchfinder General, Hellraiser and Candyman , all of which were gruesome films. One of my favourite horror films is Brian DePalma's Carrie , because it's psychological horror. What distinguishes all of these from lesser films is character and plot. I actually read a review of Carrie on IMDB where the (amateur) reviewer rubbished it because there wasn...
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