Skip to main content

Sex and violence

I'm a huge fan of the HBO TV series Rome, for its superb look, brilliant performances and compelling plots. I was thoroughly immersed in both series and was sadly disappointed when sheer expense brought an end to it after 22 episodes. Purely because of this and a few favourable reviews, I bought the Blu-ray of the initial series Spartacus: blood and sand. I don't subscribe to any cable or satellite channels, so hadn't seen it until I got the discs.

Rome it ain't. Yes, the plot becomes compelling after a while, but the scripts and performances are just not in the same league. Then there's the violence. Rome has some extremely violent scenes, but these almost always seem to grow out of the plot, and rarely seem gratuitous. The violence in Spartacus: BAS seems to be there almost for its own sake, and I'm disturbed that some people seem to like it for that reason alone.

I used to be accused of being weird or sick for being a fan of horror films. To clarify, it's the ghost stories like The haunting, old Hammer horror films and their predecessors that I like - adult fairy tales that try to create an atmosphere, that often rely on scaring audiences rather than revolting them, and that (despite the criticism they got on initial release) are nowhere near as violent or gory as modern horrors. I've stopped watching horror films in general, certainly if they are anything like The descent - one that got rave reviews but, to me, showed just how it shouldn't be done: particularly disappointing since the same director's Dog soldiers wasn't bad.

I digress. I do feel there's a place for violence in all genres and yes, the violence in Spartacus is sometimes so over-the-top that it loses its impact. Maybe we're meant to laugh at it but I can't, just as I saw nothing funny - or remotely watchable - in the OTT The evil dead. (Sam Raimi went on to make some much better films like The gift, but I'm digressing again.) I just don't like to watch violence for its own sake. At the risk of sounding like Mary Whitehouse, I can't help wondering if extreme violence in the media is really so harmless, as it clearly has the potential to desensitise audiences to that kind of material and might be difficult to handle for those with a tenuous grip on reality. It's ironic that the sex in Spartacus is always less explicit than the violence. I would like to see this turned the other way round! I'm certainly not in favour of censorship - just a little more taste and restraint.

Comments

Popular posts from this blog

New Who

The name at the top of the bookmakers' lists this summer for the next Doctor Who was Peter Capaldi. I was interested to see the list but pooh-poohed this, as it seemed the production team were set on casting only young actors - I think it was even said at one point that only someone in their 20s could keep up with the pace of production. I was delighted to hear back in August that the rumours were, in fact, true. The choice pleased me for two reasons - firstly, as a long-term fan of the programme (except for the awful period in the 1980s when the production went badly astray) I wanted to see a Doctor with the authority that only an older man could have; secondly, I knew Peter back in the 1970s as a fellow fan - we're the same age and I've followed his career since the 1980s. I had met Jon Pertwee a couple of times, during the making of Death to the Daleks and Planet of the spiders , and got to know Peter through the Jon Pertwee fan club (started by an old school friend, ...

PODcasts

It's amazing how many producers of these seem to forget the name. As podcasts are (by definition) for mobile devices and therefore meant to be listened to on the move, the likelihood is that there will be background noise from traffic, etc. For safety reasons, the volume shouldn't be turned up so loud that this is drowned out. If the listener is on a bus or train, things are often no quieter. For these reasons, it's essential that the volume of a podcast should be "normalised" (i.e. the peaks should be at the maximum allowed undistorted level) and its dynamic range should be severely curtailed - that is, there should be very little difference between the quiet and the loud bits. I probably have hearing that is just below average in efficiency and I've lost count of the number of times the podcast was so quiet that I couldn't hear most of it (even when turned up to full volume on my phone), or had a section with various speakers muttering inaudibly in t...

Who can do better (2015)

Not since Tony Blair joined forces with George "Dubya" Bush have I been so disappointed in a person's misguided choices as I have since Steven Moffat took over the reins of Doctor Who. What happened to the genius who gave us the hilarious Coupling, and wrote Who stories like The Empty Child/The Doctor Dances and Silence in the Library/Forest of the Dead ? If you look back through this blog you'll see that I've sung his praises . By writing Who and Sherlock simultaneously, it seems he just bit off more than he could chew. Good storytelling is the bedrock of a programme like this and, for me, that has just not been there. This season (and, sadly, most stories since Mr Moffat took over) have fallen into two types: "edited highlights" (the plot escaped the writers, and the episode came over as a series of extracts - more like a trailer than a coherent story. Examples: Before the Flood, The Woman Who Lived ) and Laboured centre pieces (instead of a plo...